More from the Baroness

More from my current failure project and the Baroness Elsa von Freytag-Loringhoven. This section deals with her great readymade God, which was misattributed to a male artist for nearly a century. Indicative of the treatment of female artists by the historic avant-garde, the Baroness’ work suffers under a pattern of misattribution and neglect.

 

Damm-3 Panels

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